"The soloist for that second movement, Olivia Miller, presented the first vocal image of Mary. Her voice shimmered, a resonant but unwavering tinkle, perfect for the simple statement of joy."

www.orartswatch.org/germanys-got-talent-leipzig-1723-edition-framing-bachs-magnificat - 05.07.2023

"The soloists, drawn from the choir’s ranks, brought searching lyricism to the duets and arias. Sopranos Olivia Miller and Kelley Hollis made for ideal complement in the Laudamus te.”

https://bostonclassicalreview.com/2022/03/pearlman-boston-baroque-bring-fresh-life-to-handels-ode-for-st-cecilias-day/ - 20.03.2022

"And it’s also worth noting how a chorus comprising so many soloistic voices could also blend. Though to some extent sections seemed to take on the colorations of individuals. Olivia Miller for sure marked the four-soprano section as her own, and Dana Whiteside clearly propelled the basses.”

www.classical-scene.com/2022/03/28/ranting-john - 28.03.2022

"The final piece, BWV 191 “Gloria in excelsis Deo,” ends with a majestic five part choral trade-around with sopranos, Olivia Miller and Jennifer Lamson, mezzo-soprano Johnson, tenor Potts once more, and baritone Seven A. Fasano, challenging both choruses front and behind — a soaring sonic exploration that would turn up again in Bach’s B-minor mass, but here jacked the audience into full standing ovation."

eu.telegram.com/story/entertainment/2017/04/24/bachfest-concludes-with-stunning-performance/21311033007

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